Yesterday my new batteries arrived for both of my beautiful old SLRs. One is a Pentax K1000 that was my dad’s, it was the camera that took all of our baby photos, and the other is a wonderful Minolta SRT 202 that I inherited from my granddad. I recently bought an assortment of various expired rolls of film from eBay.
To celebrate my two now-working manual cameras, I went for a walk to the woods to test them out.
I loaded my Pentax with old Fujifilm, which developed with beautiful colours and amazing emerald undertones. While my Minolta had an expired roll of Kodak film, with developed with warmer, softer colours. I can’t wait to play with more types of film so I can see the effects each produces.
Look at these colours!
(Expired Fujifilm, taken with a Pentax K1000
Click for more…
(Photo taken at: 1/400, f/16, ISO 100 – with florescent WB)
This past few days has brought with it glorious sunshine. In England when the sun comes out, people go a little crazy, off come half the clothes, and everyone crowds onto the nearest patch of grass.
In my case my craziness reveals itself in my love for making things sparkle. I’ll take any excuse to create little shining stars across an image, the more or the bigger the stars, the better. To celebrate another beautiful summer morning, I thought I’d share a little tip to help you play with flare yourself.
-Keep reading to find out more…>
A few weekends ago, I was helping I was helping a friend with a music video project. Filming with him is always fun, he’s great to work with, and he has a drool-worthy range of equipment that I would be over the moon to own. As the day went on, however, I found myself getting frustrated by the… I don’t know… the preciseness of everything I guess.
Being a professional filmmaker, at least in projects like this, makes it all about using the perfect lens and ticking shots off the shot list. I missed the spontaneity of my usual photographic style. (My filming and my photography are interchangeable in my mind, the only difference I see between the two is that one of them moves.)
A few days later I went to stay with my very lovely friend in the fields of Norfolk, and we made our own film using her D90. Shedding the constraints of perfection, we used purposely dodgey, over-saturated colour settings to shoot shaky, handheld footage through a lens that had a smashed UV filter. We captured snippets of anything that caught our eye as we wandered through fields, jumped into rivers and trailed along the beach. It was so freeing and so, so much fun.
The finished video is imperfect, and I love that every moment is entirely unique to us. A four minute window into our very own summertime.